What do educational publishers, librarians, and the descendants of Dr. Seuss have at stake in a U.S. Supreme Court case about copyright?
Childhood favorites like these books might enter the public domain sooner if the court rejects the 1998 law.
A lot, judging by their willingness to file friend-of-the-court briefs in Eldred v. Ashcroft (Case No. 01-618). The high court last week heard arguments in the case, a challenge to the constitutionality of the Sonny Bono Copyright Term Extension Act of 1998.
The statute, named for the late singer and member of Congress, extended the terms of most copyrights by 20 years, and was aggressively sought by Hollywood lobbyists, particularly for the Walt Disney Co. The copyright on the first appearance of Mickey Mouse, in the 1928 animated film “Steamboat Willie,” was due to expire next year but was extended for two decades by the Bono Act.
Under the law, copyright protection for individual authors, composers, and artists grew from 50 years to 70 years after the creator’s death. Copyrights held by corporations were extended from 75 to 95 years.
Critics of the extension argue that serial extensions of the protected time frame amount to perpetual copyright protection in violation of the U.S. Constitution’s copyright clause, which gives Congress the power “to promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries.” The law’s challengers also say it runs afoul of the First Amendment free-expression rights of those who would seek to publish works that are part of the public domain.
Copyright and the Web
Lawrence Lessig, a Stanford University law professor who is representing a varied group of challengers, told the justices during the Oct. 9 oral arguments that the rise of the Internet had brought about “a fundamentally important changed circumstance” to the issue of copyright.
The lead plaintiff challenging the extension is Eric Eldred, who runs a Web-based publisher of literature that is in the public domain. The Eldritch Press, Mr. Eldred’s company, is used by students around the world to gain free access to works by Nathaniel Hawthorne, Louisa May Alcott, and others.
“We are asserting that the opportunity to build upon works in the public domain is a vital First Amendment right,” Mr. Lessig told the Supreme Court justices last week. Several justices expressed sympathy for the challengers, but questioned whether they should overturn Congress on the issue.
The law is being defended by the Bush administration and most of the commercial creative community, including several big educational publishers.
One brief in defense of the extension comes from the heirs of three prominent authors of books for children: Theodor S. Geisel, better known as Dr. Seuss; E.B. White, who wrote the classics Charlotte’s Web and Stuart Little; and Ludwig Bemelmans, who wrote the Madeline series.
Their heirs told the court that children’s books, in particular, take a while to reach classic status, and argued that extended copyrights can encourage further creative activity by the holders. For example, it has often taken decades for movie versions of famous children’s books to reach the screen, they said, such as the 54 years between the publication of Stuart Little in 1945 and the recent film, or the 46 years from the 1957 publication of Dr. Seuss’s The Cat in the Hat and next year’s planned movie release.
The heirs of the children’s authors argue that “it is the exclusivity of copyright protection that provides the incentive for the producers of other derivative works to invest the capital to transform these books into new media.”
Such new works, of course, also help drive sales of the original books.